Showing posts with label Black Metal. Show all posts
Showing posts with label Black Metal. Show all posts

Thursday, 5 January 2012

Lord Shatanas Whorebanger - Crucifixxx Sodomy (23 February 2010)

1. A brief synopsis of the projects history/contributing members/release history
The idea of CRUCIFIXXX SODOMY occured back in late 2006 when Lord Shatanas Whorebanger (Vokills) arrived back in Canada after living in Australia for a few years. Next things next, I made a "troll" message board account and blamed/accused a band called Crucifixxx Sodomy for "hacking" my computer and taking a shit on our floor (I actually did so and posted the pix, people believed it which amused us) after several people were offended by the topics I posted one night under the influence of crack and cheap booze. Several parties occured in 2007 at the HellHouse, some of the flyers for these piss-ups had our name on them scheduled to play. Pretty hard to play live when theres no actual songs created. The fine lads from Warlock Moon (raw black metal from Toronto) asked us if we would like them to join Crucifixxx Sodomy to fill in on drums and bass. We agreed and started jamming in early winter 2008 on a regular basis. Some songs were created, I have forgotten most of them unfortunally. No live shows were ever performed with members from Warlock Moon. I went threw some serious personal issues and started lashing out on everyone around me without even realizing I was doing so. Due to this, we lost the Warlock Moon guys as our backbone. 2009 comes and Taylor Pill from King/ex-Malaria/ex-Warlock Moon joined us on drums and we started jamming again at the new HellHouse on a regular basis. New songs were wrote and we started finally playing live. Oliver from King filled in at 2 shows, one at Duffys Tavern with Shellshock,Nuclearhammer,King and Malaria and another live show at a dive bar filled with drunk natives and homeys along with Malaria, Nuclearhammer and King. Numerous toxic jams occur with random members, basically whomever was around at the time and wanted to jam with us. Fall 2009 we finally find a deadicated drummer named Max whom plays in a local doom metal band called Kaiju. We played 2 back to back destructive live shows at Duffys with him, which consisted of naked girls dancing, extreme profanity, broken bottles, blood all over us, nudity, body fluids, violent pit and so on. these 2 shows seemed to have created a "buzz" and a small following of degenerates questioning when our next live ritual will be. Just this past weekend we played our 5th live ritual at "The Hard Luck Bar" which lead to us being kicked out of the venue and banned for our regular antics (cutting, swatsika imagery and so on). As of now, there is no Crucifixxx Sodomy recordings available. We do plan on recording a demo very soon and Eternal Darkness Kreations (USA) is interested in releasing it.


2. Give some general thoughts on the inspiration behind the music.
Crucifixxx Sodomy's influences consist of all toxins, destructive and chaotic behavior, satan, bizarre events at the HellHouse. Never Stop the madness.

3. Some specifics on your sound.
We're all over the place. All depends on our mood at the time we summon up demons via creating music. How drunk we are at the time etc....A mixture of all extreme sounds and visions. It's safe to say that we are punk rockers that are into extreme black and death metal.


4. what does your music portray or represent?
Our music is a dark matter and our mission is to continue to keep punk rock evil and dirty. So far, so good.


5. What is your opinion on the state of the underground situation?
Speaking for myself, as I have been running a underground label/distribution service named "SkullfuckingMetal" for almost 10 years now, i've seen alot of changes for the better and for the worse. Those whom are deadicated will always remain deadicated. Basically i've seen alot of people come and go, end up deceased and so on. Not much has really changed in the underground for me personally and I've been involved with it since I was 13, so years back.


6. What is coming up for this project over the next 1-2 years?
I'm pretty sure we will always be around causing destruction unless Shane or I dies. Then it would be time to retire the bands name I believe.


7. What is your view towards politics in black metal?
Speaking for myself, I could give two shits as it doesn't get me drunk. I have to find other means to get drunk. In Toronto, where we come from, the most diverse city in the world, it doesn't take much at all to offend people. Even those whom claim to be extreme. Speaking for Shane and Max, I believe they could care aless and highly enjoy getting wasted and causing destruction.


8. Thanks or taking the time to fill this out, any last words?
Thank you for your support! Last words, ask me when i'm about to die..


9. Do You Have Any Contact Info? Such As A Homepage, Snail Mail or Email Addies.
Crucifixxx Sodomy has no webpage, why, I'm not sure. I guess we have never bothered making one for whatever reasons.

Friday, 1 January 2010

D. - Woods of Desolation (30th December 2009)

Woods of Desolation is a fairly young project from Australia, creating Depressive Black Metal. They have a few releases out now, one of which is an album which is nothing short of a masterpiece and now that there's a new vocalist working with the project we sent some questions D.'s way.

1. Gegroet, some of the readers may know you from your work with Austere but can you first introduce us to Woods of Desolation.
Hello. Well, Woods of Desolation was formed in 2005, under this name we have publicly released 2 demos, 2 splits, a full-length and an EP.


2. P. knight was doing vocals and bass for Woods Of Desolation, with his being located in South West Wales, UK. How did that affect the recording procedure?
The distance between us didn't really drastically affect things at all. I would record the drums and guitars myself, then mail him the tracks to complete bass and vocals. Whilst this may of resulted in tracks taking longer to complete then the average band, this was never a huge problem for me.


3. How would you normally approach recording a song with Woods Of Desolation? I heard that some of it was improvised, is that true?
Correct. Up to and including the "Toward The Depths" full-length much was improvised. I would usually work alone on songs on an old acoustic guitar and play the riffs over and over again until I found something that worked for me, I would then go and improvise large parts of it during recording. I found this way of creating/recording best to allow me to be able to fully express honestly what I needed to whilst creating music. However, from the recently released "Sorh" EP and on future recordings there will not be any improvisation.


4. When you first came up with the idea of Woods Of Desolation, what made you decide to make a project with someone on the other side of the globe as opposed with someone locally? Was the distance the reason that P. knight is no longer in the band and replaced by Desolate?
When Wooods of Desolation started, I simply wanted NOTHING to do with any "scene" or be apart of anything, it existed purely for my own purposes and inner desires, and still does. I wanted to be able to create what I wanted, and needed to, alone, without any regard for anything or anyone else, which I couldn't do in previous local bands/projects. I had been in contact with P. Knight for a few years previously, so getting him involved was the right choice to make at the time, but getting someone locally, such as Desolate, makes things much easier to complete recordings and achieve the final idea's I have in my head etc.


5. I heard a few years ago that it snowed for the first time in over a century in some parts of Australia, Did this happen anywhere near you? I just ask while I wonder how much the climate where a band is located influences their sound. Your sound has such a desolate and lonely feeling to it, which generally makes me think of the empty lands in Wales or mountains of Scandinavia, what are your surrounding areas like and how do you feel they have affected you ith the music you create? Do you think it would be very different were you to live in say, Scandinavia or Scotland?
Well it does snow each winter in some parts of Australia, but the story you mention was indeed in area's that have not seen snow for a long time, unfortunately I did not get to see this...Where I currently reside you have the mountains a very short distance away from the coastline, whilst scenic-wise it may well be a decent location, my surrounding climate/area has a minimal influence on the creative process. What is reflected within my music is purely a reflection of myself, so if I was to live in Australia or Scandinavia etc the music would still have the same feeling(s) to it regardless of my location. Negativity, depression, hatred and similar emotions/views/feelings are not necessarily always relative to ones climate/geographical location, but more so to the individual creating the music.


6. The Woods Of Desolation album has a dark depressing feeling about it, unlike many other bands I have heard in a while it sends me into a trance when I listen to it. Does the music have a similar effect for you? Did you draw on any specific influences (musical, emotional, location) to create these trance inducing atmospheres?
When creating the music, yes. I have lost many hours whilst writing/recording material for Woods of Desolation. I do not like to listen to my work after it is finished for various reasons, so I can't really comment on what effect it has on me whilst listening to it afterwards.


7. I felt the newer material which I have heard with Desolate on vocals also sounded quite different musically, was this a result of losing P. Knight's input, or was there always an intention to progress Woods Of Desolation's sound since I felt the album was a big difference from the preceding demo.
All progress was just a natural occurrence over the years, there has never been, and never will be, a concious decision to change anything, not for myself and especially not for anyone else.


8. Can we expect further musical progression on future Woods of Desolation albums? Would you ever have any clean vocals in Woods of Desolation like we see in Austere?
I think musically we will no doubt progress further, but as said, it will not be a forced decision, whatever happens will just happen of it's own accord.


9. Do you think you would ever have more members join the ranks of Woods Of Desolation? Maybe, for instance, to create a full line up?
There is a strong possibility that I will recruit a drummer for future recordings instead of myself. I simply do not have time to play/practice drums anymore, nor do I think my drumming ability is up to the level I now require. Apart from this there is no need to recruit any other members at this stage, and I don't forsee this changing anytime soon.


10. I've seen The One play live with vocals, guitars and a drummer and this worked quite well, they created a dark atmosphere while paying. Would you consider playing live with Woods Of Desolation? If not with a permanent line up, perhaps with a live line up?
I have at times considered the possibility of performing live, but I do not think it will ever happen. Performing live is simply not something I enjoy, plus not too mention Woods of Desolation is a deeply personal creation, and not something I wish to "expose" to anyone else outside the band. I feel with music, especially Black Metal, alot of feeling/atmosphere is lost when performed live. I will always prefer to perform, create & listen to music by myself.


11. With the progression of music involved in Austere and Woods Of Desolation, how do you feel about the people adament with keeping Black Metal "the old way"? Do you think the scene needs more bands like Woods Of Desolation and Austere who push the boundaries of Black Metal or do you think there's a risk where the music you create stops being Black Metal, as happened with avantgarde "Black Metal" bands of the 90s such as Arcturus.
I do understand people who wish to keep Black Metal "the old way", but they need to realise, it is not up to them what the bands do. If the band wants to incorporate different elements outside the usual boundries, so be it, it is ultimately the creator's decision what they wish to do with their music. That said, I do not think or worry about this at all when creating my own music.


12. What can we look forward to seeing from Woods Of Desolation in the coming months or years?
I am currently writing a new full-length, I'm hoping to have it completed and recorded sometime in 2010, but time will tell.


13. Any last words, contact details or distros where your releases are available you'd like to share with the readers?
Thank you for the interview. The following distro's have releases/merchandise available:

www.eisenton.de
www.ruinproductions.com
www.darkadversary.com
www.hammerofdamnation.com.br

And contact can be made via the following avenues:
woodsofdesolation @ hotmail.com
www.myspace.com/woodsofdesolation

Saturday, 14 November 2009

Lava aka Radek - Amok (November 2009)

Amok hails from Norway and I discovered them as the attachment to a Taake split EP "Nordens Doedsengel" (Where Amok delivers the "Sadistic Attack" demo). I wasn't that impressed by the music in the start, though after some spins the music started to grow on me, and when the band released their debut full length in 2006, I was hooked. Now 3 years later the band is working on their second album and I hooked up with mainman Lava also known as Radek to hear what was going on and a lot of other things!


1. Hails Radek, please start this interview up by telling a bit about yourself and what fuels your drive for metal!
I have earlier been playing guitar/bass in bands such as Aeternus, Taake and Slavia. I was also a member of Dead to This World for a short period, and did some minor contributions on Orcustus' selftitled full-length album (out on Southern Lord Records – check out this rabid grimness!). Beside that I have had Amok as my main band since 2000.

As for what fuels my drive for metal, there is a lot of stuff I guess. Today I would have to mention Megadeth's "Rust In Peace", Dissection's "Reinkaos", Tragedy's "Vengeance", Massacra's "Final Holocaust" and Deicide's "Deicide", "Legion" and "Serpents of the Light". I also recently got introduced to the Swedish band Agrimonia and had to get their album immediately. Check them out on www.myspace.com/agrimonia and buy their debut CD/LP!

When it comes to music inspiring me to compose music for Amok, it is stuff both within the metal genre as well as non-metal music.


2. You are the mastermind behind the entity Amok, how and when did you get the idea for this band?
Amok started up in 2000. I was playing in Aeternus at that point of time, but I wanted to do some more old school, furious, aggressive and chaotic music. The main inspiration then was Sadistik Exekution, VON, Blasphemy, Beherit, punk and raw thrash from the eighties. I started writing a few tracks, and got Stanley to help out with drums and bass. We recorded a 4-track rehearsal, it consisted of two tracks: "Flamethrower" and "Reptile Gate". In 2001 Mord joined us as the new drummer, and from then Stanley only handled the bass. With this line-up we recorded our two demos ("Sadistic Attack" and "LAVA Dictatorship") and did a few live performances.


3. The music you deliver with Amok is put together by quite a wide range of styles, elements and at times a quite claustrophobic atmosphere, how did you end up with that expression?
In the beginning we had kind of stricter frames we worked within, when composing material for Amok. But after a while I did not care to bother, because I felt the band would stagnate. I have always been inspired by a lot of stuff, both from music and from life in general, and I wanted to use all of this to get a more personal and diverse expression. In the end it all culminates with an annihilating darkness. This atmosphere is what we reach for while composing the material.


4. What is the philosophy behind the band?
Darkness, doom and self-honesty.


5. How do you work when you write music and how do you get inspired to make new music?
There is no certain way I create a song for Amok. Sometimes I get inspired by a lyric I have written or a lyrical theme I have come up with. Sometimes just the right chord is enough to get the ball rolling. Other times I have almost all the music already composed in my head before I start. When I have the music ready for a track, I make a pre-production of the track with guitars, programmed drums and occasionally bass. So the rest of the members can check out the stuff.


6. What is the main-inspiration behind Amok and what would you like the ones listening to your music to react from it?
As mentioned earlier, there is all kind of different stuff that inspires me to compose music. The important thing is that all the moments of inspiration are channeled through me and end up as Amok. I do not give much thought about how the listeners will react. But hopefully they will be sucked into morbidity their own mind-fucked brain processes, and discover pure beauty.


7. A thought that have popped into my head several times while listening to your music, is that it possesses the same youthful and experimenting elements as Mayhem's "Deathcrush". What does that album mean to you and have the music, atmosphere and expression from that release inspired you?
I personally like "Deathcrush" a lot. It sounds fresh even today. It is more raw and brutal than any "blast-beat band" and much more punk than any of today's bands playing punk/black metal/rock 'n' roll.

I can not say that we had this EP in mind while we composed music for Amok, but I sure can say that the expression "Deathcrush" delivers is a perfect example of the period of death/black Metal that inspires me even today.


8. You are as we speak, in the middle of preparing a new record, you have already made the pre-production for it, and is now looking for a label, if I'm not totally mistaken. Have you had contact with some interested labels and what kind of label would be a perfect fit for Amok?
We have fished the recording of all guitars and bass for the coming album.

In December we will record drums and vocals, and then mix the album in Grieghallen in the end of January 2010.

A few labels have been in touch, but nothing of great interest yet. Then again we have not been very active in contacting labels either, since we are in the middle of a studio recording. We want to make some sort of promo when the album is recorded, and send it out to some interesting labels. A label like The Ajna Offensive or Rise Above Records would be perfect.


9. Your first album "Necrospiritual Deathcore" was released by Planet Satan Revolution, why did you part with that label?
We want to sign to a bit more active label, which can support our coming album with proper promotion. The label also has to be able to pay for our studio costs and has to have a decent distribution network.
All serious labels with interest can get in touch: amoklava@gmail.com


10. How was that first album of yours received by the fanbase you made yourself with your demo and vinyl releases?
The reviews of "Necrospiritual Deathcore" have been both positive and negative. But I have got the impression that people who have been into our music since the beginning likes the album.


11. How do you yourself feel about the album, now when you have gotten some distance to it?
I am personally satisfied with that album. That goes for the music, the sound and the whole package (cover/booklet/design).


12. Let's return to your coming album, it is entitled "Exodus Reversal Hex" and consists of 5 tracks, I reckon those tracks are of a certain length and contains the same pummeling power, as your music has hold so far. Though now when I have you, why don't you tell us what we can expect of the music, how it is compared to your earlier material and what the theme behind the lyrical side of the material is?
As you have mentioned, the album will consist of five tracks. The titles are: "Remembered With Uttermost Hatred", "East Of the River Where Life Is Drunk", "Triangular Corridors", "A Glimpse of His Splendor" and "Speak Up Your Sins, the Winds Are Howling From the Sea".

The tracks length varies a bit, the shortest one being 6 minutes and the longest one being 12 minutes.

It is difficult for me to explain the music on our new album. I guess I can say it is going to sound more doom and trance. Well, people should check it out when it is released next year sometime.

The lyrics are more open for the listener's interpretation this time. It might not seem as direct as the lyrics on our earlier releases, but the message behind them is still pretty clear-cut.


13. How long time did you use on writing the material and how long time did you use in the studio recording the pre-production?
I started to write the material in the end of 2006, after the release of "Necrospiritual Deathcore". The material was finished by the end of 2008/beginning of 2009. I took my time and let things flow naturally. I did not want to repeat myself nor stress the flow of development. I guess I used a few months for the pre-production.


14. Do you already have planned where you wanna do the actual recording, who you want to produce it and what about the cover artwork, is the actual work in place or have you pinned who you want to make it?
We have already recorded all the guitars and bass for the album. All keys/effects/programming are also finished. We will start recording the drums in the beginning of December, and start recording the vocals after the drums are done. We are recording the whole album ourselves. The plan is to mix the album in Grieghallen in the end of January 2010.

I have the cover and some of the design figured out. This time we are going to work with a designer that is a friend of mine, and who is located here in Bergen.


15. You have also changed vocalist since the last release, Necrocum is gone and Kybermensch has entered. Why the change and how is Kybermensch's vocals compared to those of Necrocum?
For this album we wanted a different approach regarding the vocals. The way things ended up, I will do the main vocals. There might be some contributions from Kybermensch. He did the clean vocals on "Goatflesh Removal" ("part I (Corpus Christi)" and "II (Memento Mori)") (From the "Necrospiritual Deathcore" album, Anders).


16. You are a part of the Misantrof AntiRecords family, a site where we can find a compilation of your demos and 7" material, some live material and so forth. Why did you enter the cooperation with Misantrof and how active is the organization nowadays?
I think that Misantrof AntiRecords is really interesting concept. They asked us if we wanted to contribute with some material, and I thought it would be a good way to make our old recordings available for new listeners in a very easily accessible format. We have put up the "Execution Compilation" (consisting of: "Sadistic Attack" [demo 2001], "LAVA Dictatorship" [demo 2002] and "Effective Mass-Torture" [promo 2003]) for download. The promo-video for "Effective Mass-Torture" and Amok's debut concert is also available for download.

I think Vrangsinn is putting quite an effort into his work with Misantrof AntiRecords. He is working with some new stuff with his Phobia project and it seems sick and wicked.

Misantrof AntiRecords is something fresh compared to the regular way the corrupt record business is ran. Beside music, Vrangsinn also gives tips about open-source programs etc. People should check it out for themselves: www.misantrof.net. Support!


17. Who came up with the idea for your awesome logo of Amok and who has drawn it?
Our former vocalist, Necrocum, has designed this logo. It is developed from our first logo, that also was drawn by him.


18. In the past you used to be a part of and helping out quite a few bands, which bands are you a part of and helping out nowadays?
These days I only play in Amok. The only thing that I have planned for the future is to contribute with guest vocals on a couple of tracks for the Danish band Sagntid (www.myspace.com/sagntid). People should check out this band, it is ambient music with a great atmosphere to it.


19. How does it look on the live front, do you have some gigs lined up?
We have not played lived since 2002, and we have no plans for doing that in the nearest future. Amok has been functioning as a studio band since 2003, and we are 100% confident with our situation. I am not saying that we will never perform live again, but I do not see the point in playing live for the sake of playing live. To put it in a different way, I would rather read a book myself than having the author reading it for me.


20. Do you have more material planned to be released on vinyl in the near future?
We have recorded two bonus tracks ("Chapel of Embalmment" and "Silent Worship") in 2007 for the LP edition of "Necrospiritual Deathcore". The plan is to mix these tracks when we will mix "Exodus Reversal Hex". If all goes as planned, this LP will be released through Nuclear War Now!. We want to release the LP in 1000 copies, where 300 copies will come as a “die hard” edition including a bonus 12" EP with these two tracks.

We also want to have our coming album released on LP.

There were, by the way, some plans about releasing a 10" split EP with Iperyt. Agonia Records contacted us in 2006 and wanted to do this release. They got all the material and layout stuff, but we have not heard from them since. Seems as a pretty fucked up and frivolous label, from what I have heard from other people working with them. Amok's side was supposed to be the 2003 promo "Effective Mass-Torture" (including a bonus outro), so it was really nothing new for the listeners. The only thing is that I think Iperyt is a really energetic and violent band, and releasing a split with them would be good.


21. Thanks a lot for answering my questions, if you think I have forgotten anything or you just have something to add, feel free to add it now!
Thanks for the interview. Check out the new Amok album, "Exodus Reversal Hex", to be released in 2010.

"His blood shall be upon us and on our children."

Friday, 13 November 2009

H.V. - Wormlust (November 2009)

There aren't many bands from Iceland. Here is an interview with one of Iceland's Black Metal bands, Wormlust which arose from the ashes of another project named Wolfheart. This interview was conducted with H.V. on Friday 13th November 2009.

1. Not many people will have heard of wormlust so please introduce yourself.
Wormlust,-the vessel from which asphyxiaton metal is spewed. I have a forthcoming split coming out on Total Holocaust Records with Haud mundus titled Oblivio appostitus and a demo this year that explores the paths we must all travel down into the void.


2. Most bands change names due to line up changes or drastic changes in the sound. What was your reason for changing the name?
It was exactly that, a drastic change in sound . It also gave me the means to a modus operandi, a singularity to draw from. the meaning also runs deeper than that of the first name I chose - but that one is up to others to decipher.


3. Wolfheart/Wormlust has had other members in the ranks, but I believe you've written most of the music. Will this always be the case or will you have other members who will become permanent members and have an input on the material?
Wolfheart was to be a live band and I rehearsed all of the material that later became the Ave Nokturnum demo with a drummer but nothing besides the demo became of that. At this stage its not a band but the musical journals of my trips into the extremes, and I doubt that anyone could keep up with my work schedule. Its erratic at best, most of my music has been written in one go with long hours behind it.

Outside of vocal contributions It has only been me and will remain that way. The only additional personnel I think might work would be drums,and that in the mixing stage.

One ultimately goes down the paths to oblivion alone and the work ethic of Wormlust reflects that fact.


4. You worked with some other bands in the past. Are you still working on other projects? Do you prefer having multiple members input into the music? Or do you prefer just having your own input as you have done with Wolfheart/Wormlust?
I currently have one other band beyond Wormlust, but mostly to further extend my abilites as a musician. It´s an expression of my fondness for psychedelia and psychedelics, something that has translated rather poorly into blackmetal I feel. We shall see.

I have been in traditional bands countless times and working with others can have its rewards but it rarely translates into anything meaningful.

I like having total control in Wormlust, and idea of control itself. - With music you can influence a person aurally into a certain mood by something that you create. Art defined as the act of personal expression outside of the primal urges does not exist I believe. It´s all about dominance. By myself I can keep the overall vision and ultimately the control.


5. You spent some Time studying in the UK. Did you feel that the metal scene was very different in the UK to Iceland? Did you work on any music while you were in the UK? And if so did you feel the music was very different from when you were in Iceland?
Yeah, the most notable difference I remember were the pre-rehearsed rockstar poisturing of many of the bm bands I saw in the uk, I honestly can´t see that here. It´s probably because of how small the venues are for underground bands in iceland, I suppose its harder to act like a blackmetal bon jovi when you are on eye level with your audience.
Icelandic bands on a large degree also seem to have more of chaotic vibe to them.

I saw a show f.i with Svartidauði where they played in a middle of the crowd and the frontman would from time to time physically assault audience members, by the end the crowd had been beaten into a kind of state of submission. It was intense.

The material I did for the split was all recorded in London, It was a turning point musically. Because of negative outside factors I shut myself from the world and wrote the songs. The urban landscape gives as much as it takes.


6. You are having vocals done by Wann from Rebirth of Nefast. How Did this come about since Wann is from Ireland. Did you meet during your studies in the UK? Do you think you might have any other members joining wormlust in the future, and if so, think you'd ever play live?
Yes, He did the vocals for the split and an excellent job at that. But I cant really comment beyond that. He does not want to broadcast his personality - So I must respect those wishes.

As for playing live I dont think that would be a possibility, there are up to 200 overdubbed guitars at time , and the idea of translating that into a live show is a nightmare -also it would lose the drowning feeling which the guitar orchestra creates.


7, DOes Iceland have a good live scene? DO many gigs come through there? Or do you have to travel to other countries in order to be able to see any live shows?
The live scene is active, I go out once in a blue moon to see the bands that I like - seeing that most of them play about hundred times too many a year you can usually pick when.

All of the foreign bands that come through here are horrible, reflections of how out of touch with reality most promoters are. I dont have enough fingers and toes to count all the horrible power/prog/hair-metal bands and at the same time a limbless person could count the really good ones.


8. How does the Icelandic landscape affect the msuic you make with your projects? Wormlust's demo didnt really have a traditional sound and sounded rather unique. Do you think this is a result of where you were located? Do you think the sound would have been different if you stayed n the UK and continued to record there?
I cant say that the landscape influenced me much in the making of the demo, the external didn´t really move me . I let the internal be the guide when making the demo- the theme was the path to mental absence. Under the influence of days of sleep deprivation I started recorded things I would not have been created otherwise, I kept on pushing myself and recording until the music started to smother everything out of me. It is the map to my streams of consciousness for the listener then to drown in.

I dont think I would have made another sound if I had stayed in the Uk, it got rather intense in the end.

9. You have a split coming out with Haud Mundus threough Total Holocaust Records. How will the material on this split differ from the material on the demo?
It is a reworked recording of a 2006 demo I did while living in london. Its more brutal and raw,but still has the similar emotionless feel to it. Like the demo it was written in one go but this one has the benefit of hindsight.


10. What else can we expect from yourself and wormlust in the future?
I am currently mapping out the execution of a Lp which deals with the theme of drowning and all that it entails,that is asphyxiating mentally,aurally and physically - exploring more paths into oblivion.


11. Thanks for taking out some time for this interview. Do you have any last words you'd like to share? Website or snail mail contacts?
You drown not by falling into a river, but by staying submerged in it.

To get the split : http://thr666.horde.se/

For band contact : Hafsteinn1@gmail.com

Wednesday, 21 October 2009

Cain - Snowfall (Sometime in 2005??)

Snowfall are an obscure black metal band from the Canadian shores. The two main characters behind the project have been long time komrades who enjoy living their lives in the darkness self destructing with plenty of booze and intoxicating substances. This interview was conducted some time in 2005.


1. gegroet komrades, introduce yourself and your project snowfall!
Cain. Im the lungs in snowfall. Dramen and i started snowfall on a drunken night in the summer of 2002 and we've been pissing in the underground ever since.


2. you have released a split with funeral fog, your side was initially released on the now deceased krist burning prod label (which you ran) in tape format, tell us some about this tape and the label.
It was called "winter falls over the northlands" and we shat it out in 2003 but recorded and mixed it in 6 hours in the summer of 2002. due to your average bullshit we had to dig up the cash to pay for it, and when we did it took forever to sell. Mostly because it isn't trendy at all, no heaviness, no blast beats, no blazing fast technical melodies, no happy goth synths and shit, just hellhammer and bathory pull offs, straitforward black metal in its purest form and since we listened to a shit load of punk it is heavily power chord oriented you know, double bass and old shcool shit. just simplistic monotone too grim for the death metal hippies and the zoned out metalheads.

krist burning productions was created sometime in the winter of 2002/2003 by dramen, but later on we got harrassed by the pigs for our flyers, calling it "hate propoganda" or some bullshit, and the postal office went overboard on checking all packages from the mail box, so we changed the name to Dark Storm Productions to get rid of all the bullshit. Dramen handles all the buisness and shit, i don't mess with that stuff.


3. about bands/labels and such, do either of you run any other projcts or bands or what not you'd wish to shamelessly plug and let us know about?
I had an old band called bloodlust which never released anything, a split might come out, but we havent practiced our material for a year or so. i play guitar and vocals for bloodlust. Dramen does Ashes of christ, and has about 3 or 4 songs and is working on his own released, it is simplistic girm as fuck black metal, just his one man band, alot like burzum and xasthur.


4. I recall one of you (or both?) stating you are a pagan or heathen, what would you say you mean by this, are you wiccan? odinistic? atheist? a religion which predates christianity?
speaking for myself, I have some beleifs of the supernatural, but mostly i believe in nihilism and i do have my own spiritualities in paganism and satanism and such, but niether of us have a "religeon". we do worhsip death and nothingness, celebrate hatred and violence and rape, and any anti-jesus anti-god anti-yahweh and anti-allah organizations and phiosophies, but we don't follow any pathetic rules on morality or helping people. it's all about misanthropy and darkness... thats what lacks from most black metal...these kids or these lazy rich fat fucks...they don't know EVIL or HATE or DARKNESS! its all fantasy and comic book shit, but for us its real. evyerthing we write about is real life shit, with no metaphores. we mean every fucking word and every note.


5. continuing from the last question, what are your inspirations for the music and the lyrics, do you look up to other bands for the musical sides? and what do the lyrics involve? mythology? or?
no mythology, no fantasy or any of that shit. only personal thoughts and experiences. i write all the lyrics, and they are dealing with violence, suicide, death, spirits, woods, self mutilation, drugs, alcohol, molestation, hatred and depression. the more violent side of us is about the real life shit we ahve delt with... i have written about vomiting blood after nights of drunkness, cutting myself open, waking up after not eating for days due to my cocaine intake, offering or rather advocating suicide to anyone, my own personal negativity i deal with almost daily, our hatred of fucking dogs of religeon, kikes, camel jockies or jesus cock suckers, fighting whigger pussies in the streets and the future demise of religeon and society... it is eveyrthing we hate and lvoe about this world.

the more mystical, or grim side of us is about experiences in the woods dealing with the supernatural, rituals, or spiritualities that id rather not talk about... but we mix both together...

as far as music? for me it is mainly old school thrash and black, but im also a huge punk fan. basicaly the bands i listen to most are venom, hellhammer, celtic frost, bathory, sacrifice, exploited, discharge, black sabbath, motorhead, the cockney rejects, verbal abuse, slayer, posessed, sarcofago, gg allin, the cure, sextrash, von, vulcano, beherit, all the old school shit, most music nowadays sucks. i don't mention the nordic bands because we dont listen to much besides darkthrone, and thats not often. i love the msuic, but it doesnt really INSPIRE me.... im an 80's fanatic.


6. As far as i know there isnt much of a nova scotian scene, i have heard of only one other black metal band from there who release the MayheM & misery disk, i cant remember the band's name but i do recall they had a pretty gay vision of things. a false black metal band so to speak. Are there any komrades you might want to let us know about who are worth checking out?
Funeral fog are the grimest, been going since 87' actually, and we drink with krall(the guitarist of ff) all the time. Hellacaust is definitly a good band to look at, they are more thrash oriented. there are afew others who are decent and whatnot, but i don't pay attention to the scene, mostly because they hate us. in fact the punk community likes us more!


7. You are a partly canadian and partly american outfit. How did this happen? how'd you end up having members for these different countries? Are there other members in snowfall? How does the recording process work?
Technically we have five members, i wont list them all because i know the line up will change before we record again, like always. but the 2 main members are Cain(me) and Dramen, but we have an official drummer, rythym guitarist and bass player, but none of them will be on the next albulm due to money and time. we'll use session players again. jsut read the cd booklets for detail, it would take me years to explain all our past members. bassically, it works like this : i fly to canada and leave this shit hole for a few weeks every winter and summer and we record and drink, and every so often dramen comes here, but america is a shit hole so thats rare. due to our line up and the local venues lack of cooperation with us, we've only done 1 gig.


8. what do snowfall like the recording suroundings to be like? a snow covered forest?
depends, i prefer them to sound grainy but not too muddy, like morbid tales or apocalyptic rights. we have decent quality, not 100 percent necrohell shit or crystal clear. just decent enough, we don't care either way to much, as long as it sounds old school and nasty.


9. I suppose the name snowfall comes from having an affinity towards the winter season. I want you both to list for us what the four seasons mean to you.
it comes because we wanted ot make the coldest shit possible and because its a good name that wasnt taken.

Winter: cold, dark, depressing, lonely. this is when snowfall is at its grimmest.
Spring: annoying, and stagnated. always the spring brings the problems.
Summer: drinking, sleeping in the woods, doing shit loads of drugs, fighting, listening to immense punk and thrash. this is when we are most oldschool.
Fall: the transition into our grimmer phase, when the mystique of samhain darkens the world and hope begins to fade again.


10. lets throw in another opinionated question... How do you both feel about the following.

(i) black metal morons who say "i dont care about nature"
May as well be christians who want to live in the city so they can shop more and ride to work easier. in fact they are. they fear the woods. not just anyone can venture out at night without protection into a place where man has no true control. we sleep in the woods in just our jackets, we dirnk there, ehll sometimes we fuck our girlfriends there! its a place of darkness and serenity.

(ii) recent occurances with varg's escape from prison
too bad they didnt shoot him down before he gave up. oh well, we hope for next time.

(iii) atilla csihar's getting arrested for carrying shitloads of drugs
Don't have much of an opinion, but im glad he still does drugs and hasn't turned into a complete pussy.

(iv) the recent rise in raw black metal across the globe and people who like to state "i like telling xians to fuck off".
Trends. graduated humanitarian nu emtal fucks who don't know hatred anymore then living by themselves and living a shitty painful life... msot of them are rich suburban kids! they dont have to fucking work, they dont do drugs or drink, they just think its cool cuz cradle is on sony now. its all a fucken trend. it will die off.

(v) chuch arson
It needs to happen more. If we had more of a following, perhaps we'd engage. theres plenty of wooden churches in canada just waiting, but i won't state any locations, or if we plan on it. that would be fucking stupid if i did, now wouldn't it? but people lack balls, the old flame still burns, its just a matter of time


11. how do you feel about national socialism or NSBM?
I don't mind it, i don't agree with it, and i think the white race is equally shit as any other, but i don't care if someone holds those ideals. ocasionally the nazis get annoying when they preach more about killing blacks then killing christians. black metal is not about pride, its about hate without pretension, and a lot of these skins dont see that, they see it as only violent music, not dark essence which is as bad as 13 year old bowl short haird christian kids. well perhaps a bit better, but not by much, you know? in fact we've been in a few fights with skins.

12. what are your attitudes towards Americana and the Capitalist dogma the entire world seems to have sold its soul to (what do you think of the people on Ebay who sell Vlad Tepes splits for in excess of $300 each? (altough I know this ties in with the above)?
bullshit. anyone paying that for a cd is either a fat rich fuck or a total dumbass. fuck america.

13. I saw this done in another interview and i think it's a great idea... so ask yourself any question you'd like to be asked in an interview and answer it. I demand you both do this!
well, id ask myself what kinds of drugs do you prefer? then id say what have you got? any strong booze or opiates? how about some coke? as far as dramen, i dont know what he would ask himself.


14. Thanks for taking out the time on this interview, i leave this last bit for you to throw down your curse upon who ever you wish, and advertise your homepages + contacts and such.
rape children, do drugs, kill yourself, start fires and send us drugs. fuck off, die.

www.darkstormproductions.com

Foglord Gwalikath - Nekantropy (February 2004)

Nekantropy was a raging Black Metal project from Canada, this interview was completed in February 2004 with the main force behind the project Foglord Gwalikath.


1. A brief synopsis of the projects history/contributing members/release history
So far, Nekantropy has had three acual contributing members. Nekantropy was formed in 2001, for the expressing of the thoughts of Gwalikath. These three members include Gwalikath, Arataus (Misvita) and Dohmnach (Forest of Castles). These members were generally added to do drum programming and some bass. However, with the recording quality we had to deal with, this was not overly successful. I have now taken things into my own hands and currently songs are being recorded for the next demo. The only demo released so far is Foglords. This is not an active portrayal of the music to come.


2. Give some general thoughts on the inspiration behind the music.
Inspiration behind the music would include medieval aspects and hate towards today’s humanity. The race of mankind was once glorious, however of late many aspects (interracial-breeding, multiculturalism, democracy, rise of technology) have destroyed what was left of our race.


3. Some specifics on your sound.
The sound is raw and grinding, often improvised at certain parts in the music. Drums are normally filled with blastbeats and guitars are generally not technical. Expect more mystical Nekantropy in the future.


4. what does your music portray or represent?
My music represents all that my mind thinks. Stagnation in the dark ages, nature and separation of the cultures.


5. What is your opinion on the state of the underground situation?
Frankly, my area brings nothing black metal. I have little care or respect for any “black metal” scene. Most of the bands you can see nowadays are generally trendfaggits who all go after the same satanic, evil path. This is not what, in my opinion, black metal is about.


6. What is coming up for this project over the next 1-2 years?
Most likely some splits with Geimhre or other Canadian hordes I respect.


7. Ask yourself one question you'd like to be asked and answer it.


8. Thanks or taking the time to fill this out, any last words?
Stay true to yourself, may the human race choke on the grey ash of nuclear warheads.


9. Do You Have Any Contact Info? Such As A Homepage, Snail Mail or Email Addies.
You can contact me about the demo at Nekantropy@Death-star.com or use MSN via necromayhem@antisocial.com

Dan Slaughter - Deathwitch (2004)

Once upon a time there was a Swedish band called Deathwitch, they are no more, though during their career they released some quite good thrashing black metal albums. The last album that the world saw from them, was 'Violence Blasphemy Sodomy', back in the days, when the album was released, I had a little chat with drummer Dan Slaughter.


1. Hails Dan Slaughter, how are things in Sweden at the moment?
Hail! I’m busy as hell with a lot of things, not Deathwitch tough haha.


2. Will you please introduce yourself and tell us how your metal adventure started?
The only band I play in at the moment is Deathwitch. I have played in many small underground bands since late 80’s from time to time. I’m also a biker and like fast cars.


3. You are ready with your new onslaught “Violence Blasphemy Sodomy”, a superb album to start the new year with... What was your ideas when the band started writing music for a new album?
To be honest I didn’t record the drums for the new album. I was busy with other shit and was not able to travel to Gothenburg at that time so a session drummer called Morbid Juttu did my work. I’m satisfied with his and the other guys musical work on the album! I rehearsed some of the songs before the recording session and I think our main goal was to create some aggressive and ugly metal of violent death.


4. Did the album end up as you all imagined?
I think it’s cool! It would maybe be a bit more evil if I managed to do the drums haha, I prefer my drum sound on the previous album ‘Deathfuck Rituals’ but I have no problems with it.


5. How has the first assaults from the press been, any positive surprises or does they all hate you?
Both great and a lot of negative shit, but who cares. Enjoy or hate.


6. Deathwitch has always been about primitive, yet very hardhitting and crushing metal, with influences from the early scenes of death, thrash and black metal... What is appealing to you about those styles of metal?
For me it was the music I grew up with. Drink alcohol and listen to blasphemous metal like Sodom, Sarcofago, Possessed, Death, Slayer……. It was a great time! So it’s great to play that kind of aggressive music.


7. When one throws on a Deathwitch album, the sincere freshness of a young band which wants to kill the entire world, come to mind. Though the band has some years on the back and I know Terror isn’t as young as he has been... How does Deathwitch keep the fresh and “fuck you all” spirit and attitude?
I think Terror is over 30 years old and I only have a few years left to the 40 limit huh… Slade is like 35. I think it’s important to find the feeling in the songs like you did when you listened to the same kind of music when you were young.


8. How important is the “fuck you all” attitude for the band?
I don’t know if we have that attitude maybe both me and Slade lives a bit in the FTW attitude in the biker world… But it’s a lot of ‘FUCK’ in the lyrics hahaha


9. What is metal about in your eyes?
Aggression, speed and evil lyrics!


10. What makes a so called metal band un-metal?
Happy riffing and love lyrics.


11. Who writes the music in the band?
I think Terror writes most of the riffs and then we work on it together. I always want him to create bad riffs that he doesn’t like at all, then I will like it. He normally creates heavy doom/death riffs in his other bands like Runemagick and The Funeral Orchestra. So I always ask him to make fast riffs that sucks, hahahaha.


12. Where is the inspiration to the music found?
Violence, Sodomy and Blashpemy!


13. It is easy to hear your are an excellent drummer, with great variation and superb pace shifts and great breaks... When did you start to play the drums and what inspired you to start?
Hmmm well I hope you like MY drumming on ‘Deathfuck Rituals’ hehe but Morbid Juttus work on “Violence Sodomy Blasphemy is cool! I have played drums from time to time for over 20 years.


14. Where do you find inspiration to your drumming?
Hate, aggression, booze and metal…


15. The influences of Deathwitch are found in the eighties... How much do your own musical taste collide with the music of Deathwitch?
A lot. I still listen to the old bands.


16. How much is Deathwitch a band, we all know that Terror participates in a lot of different things... What about you and Slade Doom do you play in other bands?
For me and Slade, Deathwitch is our only band even tough we almost never rehearse. Terror is busy with Runemagick and The Funeral Orchestra. He have also helped some other shit bands with drums over the years like Sacramentum and Swordmaster. But I guess that Runemagick is the only BAND for him.


17. How is Deathwitch’s live activities, I could imagine you kicks serious ass on stage... Are playing a lot live?
We have never played live. Even not before I joined the band. We’ll see what will happen in the future.


18. Will we at some point see you in Denmark and maybe Aalborg? It isn’t that far away from Göteborg!
It’s close, but I am in Thailand right now haha. I hope so.


19. This is your first album on your new label Wicked World, how do you feel about the label and how have they treated you so far?
I don’t have so much contact with the label but it seems good so far I think.


20. Where was “Violence Blasphemy Sodomy” recorded and who produced it? The raw and very energetic production really slays!
I think it’s recorded in 2 different studios in Gothenburg and some stuff at Terror's own little studio.


21. You are one of the great few bands, which plays with sincere and a crushing feeling of metal... Why is that feeling so hard to find in new bands and even many new releases with once great bands?
People get old and forget the ancient spirit of metal and the young ones likes other shit…


22. Will you share your 3 all time favorite albums with the worldwide ‘bangers?
Death – Scream Bloody Gore
Slayer – Reign In Blood
Motörhead - Motörhead


23. Thanks a for answering my questions, I’ll leave the last words of torment to you!
Thanks man!

Sunday, 18 October 2009

Herr Chemosh - christcrusher productions (2002)

After having bought a of items couple from this label's distro and having bought a few copies of the extremely cool "gather against humanity" 4 band split for distribution in Denmark, my interest for the label was burning now. Some time has passed and Herr Chemosh is really getting things on a roll, so therefore he gets the honour of being featured her.e Check out this label and support it, it's the real thing


- Hails Herr Chemosh, how is the current state of the extreme metal scene in England?
Gegroet, it's getting there. there's bands popping all over the place who are playing raw black metal, and not shit either, people just have an aversion to the UK scene due to shit like CoF and hecate enthrond and the years of them persisting they're black metal. now everyone thinks that any band to
say they're bm from the UK will sound like them.

There's quite a few good acts now though like ODIUM, Eternity of Darkness, Ichneutic, Nigrescent to name a few. All playing raw black metal, which isnt a bad thing.

Although I have to say as my fatherland is Belgium my interest lies with that scene, Gotmoor, Worthless (now Paragon Impure), Grimfaug, lugubrum, YMI, enthroned, The
Beast, Axamenta, Avatar, Ecliptica and the likes.


- Will you tell a bit about yourself, why are you spending your time on metal and can you remember your first encounter with the blessed music?
Well there's always a pathway into black metal isn't there, mine started off with listening to KISS, was, twisted sister and manowar from a young age and then one day in october/november `95 wondering about in a store looking for kiss and accidentally coming accross king diamond. Downloaded that as soon as i got online round may `96 and went out to buy the spider's lullaby a few days after that. In august `96 i came accross immortal's BITN while looking for the king's cds, which didnt impres me much...September `96 saw me buying a terrorizer zine which had the king on the cover and within i learnt about bands such as mayhem, gehenna, satyricon and the likes.

We all know how being rebellious rules when we're young and after a violent encounter with my dad which ended up with me being kicked out of the house the record store was my first target and mayhem, carcass plus immolation
cds made it into my pocket, from there on there's been no turning back and black metal has become the world.


- When and how did Christcrusher Productions start?
Having lived in Hong Kong for most of my life made finding good black metal a chore, so in `99 i started using underground mail orders, buying demos and such, this led me to finding many gems, and i wondered why so many of
these great bands (Musta Surma, Warloghe, Tharaphita etc) were unsigned, so i decided there needed to be a label to cater for such great acts.

In september or october `01 i decided university wasnt my life, so i dropped out and started making plans of how i would support the music scene other than my page whichs located at http://melektaus.christcrusher.com and i
decided i should start up a label or distro. The first cds i distributed were the Melektaus mcd and the VladTepes mcd, I hated how a mainstream shit label was selling these great releases so i bought off there copies off the distro/label and christcrusher prod was born.


- What is the philosophy behind the label?
There isn't really any philosophy behind the label, other than not ripping off the black metal fans and offering the lowest possible prices!


- Why did you feel you had to start a label, what can you and your label offer compared to other underground labels?
Other than what I described before, I felt that too many labels and distros out there are fucking rip off, charging 12$for an MCD, and 15-20for CDs. this is fucking bullshit! I fucking hate that kind of shit which is why i strive to get low prices, this does mean i dont earn shit from the label and i dont get heaps of money to put back into the label. and so i get a limited catalogue list.


- How did you get inspired to start up a label?
The day I saw those Vlad Tepes and MelekTaus cds in the catalogue of that gay label i just emailed them and told them i wanted all their copies of these cds and a week later i was distributing. Then about a year onward came the 4way split cd


- What have you so far released and do you have any exciting things coming up?
So far there's been Kult ov Azazel/Obitus/Humanicide/Thy Lord - Gather Against Humanity CD
raw black metal - limited to 300 with the first 50 numbered in my blood

Toroidh - Europe is Dead 7" Pic disk VINYL
neo classical/folk/ambient - limited to 200

Gurthant - The Thrill of Live Magick TAPE
Death/black metal live tape - limited to 50 handnumbered copies

Darkest Hate/Black Winter Night - split demo
Raw black metal from brazil - limited to 333 handnumbered copies

Eternity of Darkness - Ship of Fools
Raw black metal - limited to 200 handnumbered copies


various goodies are coming up, but I'll address those later on.


- What do a band have to offer, before you would sign it/release something with it?
All I really need is to be able to hear the band, i am not going to release something which i havent heard and also wont re-issue just any demo or what ever. when it comes to bands like Eternity of Darkness and ODIUM, these
items were limited to 20 and 40copies on CD-r so this warrants a re-issue. but a demo or what ever which has been properly released on cd or tape by a label will not be re-issued after being sold out.


- Have you limited the label to only concentrating on a few musical styles or are you open towards everything?
I love quite a lot of music ranging from industrial to ambient to death metal to black metal, but i wont release the kinds of music which you find everywhere. for example a dimmu clone wont be found amongst my releases!

But I prefer to just release raw black metal, but as the past has shown with the gurthang and toroidh releases i will release some other material as well, i think fans of the label into the raw black metal will be surprised by the Vehemence6.2 release especially. Even i am in the dark with how this will sound though. And i have spoken with Nordvargr about a possible future release of Toroidh or another side project of mz.412.

Also in the distro i have been known to distro none BM items like, penitent, veiled allusions, folkstorm, toroidh, sephiroth and the likes.


- What are your own favorite style within the dark world of metal?
Raw black metal, plain n simple.


- If you could choose 3 bands of your own choice (past and present) and release something with the band, who would you choose?
Musta Surma, Vlad Tepes, GGFH

These bands strike me as acts which didnt get enough attention. i was asked to release the Musta Surma album at one point but i told them all i could do was an album on vinyl and they never contacted me after that email to them.

- If you got the chance to release something with e.g. COF and you knew it would sell shitloads, would you take the offer or turn it down?
Turn it down, im not in this business to make money, if i was my prices would be higher and i'd be releasing shit. bands like that get too much attention any way, they dont need it from supporters of the underground as well.


- If you ever got the chance to turn Christcrusher into to a large label, would you do that or will you remain dedicated to the underground?
I would love to turn christcrusher into a large label, but in the sense of a label which is able to cop with a lot of releases, not a label which makes shitloads of money with fucking shit releases. But i will only release cds or vinyls for the underground bands and keep it all limited and i will never raise my prices to the ridiculous unless the mailing places force me to do so by raising their prices.


- How is the local metal scene, is there anything happening near your home?
I'm currently working on getting a new band started out of the ashes of my last one (Dawn of Apocalypse) which died when my fist and knee struck the other founding member's face.

Other than that there's one death metal act who arent bad, just have horse shit drum programmin rather than a real drummer which totally ruins their sound.

A lot of the people around here are full of shit, example someone shoves me from behind face first into a pillar at a metal/rock club's dance floor, i retaliate by grabbing who it is by the hair and slamming them into the pillar without looking. turns out it's a fucking bitch, so i get banned just because it's female. then a few days later i'm being told i've been punching this whore in the face for no apparent reason and kicking her while she's down. wow great metal scene. For a good local scene i'd better move back to Belgium. which i might do in a few years

although there's quite a few people into raw bm around here but no one has a band and there is no place to hang out or do anything interested, which is why i spend all my free time on my label or camping out in the mountains
and making visits to ancient neolithic burial chambers and making walks in the woods! which is why currenly i am trying to find a house in the woods on the mountains in the outskirts of this town to live in.

My dream would be to get a house in the outskirts of the town in the woods on the mountains witha decent garden, so i'd be able to bring down some underground bands and have a "mini festival" with people camping out and the bands playing out there.

- If I say black metal, what do you say?
Fuck Yeah!

That's all i can come up with now, as the love for this music is not something I can describe in words, i can only display it with my support for the scene through


- How long do you think Christcrusher will continue to spread the plague, have you ever thought of giving up?
Giving up? No. Taking a break? Yes. There have been quite a few times where i have had to live off other people as i havent been able to even buy my own food due to pumping so much of my own money into the label. when ever
I make money from work or what ever I tend to put it immediately towards the label and before i realise how low on money I am, I end up with an empty fridge and no food to eat. due to this i have thought about laying it to
rest for a few months and restarting it


- In ten years from now, what do you want people to think when the hear Christcrusher Productions?
I'd like people to think of x-crusher prod as a/the home for raw underground black metal. a place where one an go and get some cheap music.


- Both your releases and your distro items are very cheap, how do you manage to keep a healthy business going?
By eating very cheap food heh. i tend to work for it. a fuckload. the only reason to live is black metal, and so i work my job, most people go to work and do this to survive. i go to work and do this to sort my label out, i'll put my label and distro and music before my own health.


- Which of your releases are you most proud of and which one rips the most?
that's very hard to say, i am proud of all of them, the main thing is that i have to say is that having a release out and getting interest for them is like getting your own music recorded and you listen to your demo tape and you think "fuck, i did that!" and this is how i have felt about all of my releases to be honest.


- Wouldn't "Gather Against Humanity" look fucking great on a picture disc, have you ever thought about releasing a full length vinyl?
This is true, or perhaps on a gatefold vinyl, but i have never really discussed it with the bands, and as i dont talk to ThyLord or Humanicide anymore so i doubt this will happen, I thought about it before but i just dont think it will be a possibility.


- Are you into vinyl yourself, what do you like/dislike about the format? Do you have some gems in your collection?
I adore vinyl, i love the way the format is, the way it feels to be holding a cd is nothing compared to a vinyl in your hands, i just like how the artwork looks so much more majestic and impressive, the sound is in my opinion a lot better too, cant describe it, but only another vinyl fanatic would understand how the vinyl pops are so great.

some gems?

MayheM - de mysteriis dom sathanas
morbid - live pic disk 7" tribute to DEAD
Devil Doll - dies irae
Devil Doll - The Girl who was Death
Devil Doll - Sacrilegium
All bathory albums
All Darkthrone albums
3 macabre vinyls
moribund 7"
sarcofago - INRI
Mutiilation - vampires of black imperial blood double gatefold LP (this vinyl would sell for up to 600$us)

there's too many to really list, also have various thrash items.


- Do you have any bands in mind for future releases?
I was discussing with a few bands... ThyLord (estonia) and vinterriket's album on tape. although confirmed releases i will list with the next question...


- How will the future be for Christcrusher, what can we expect from your side?
As for the future there's quite a lot planned for christcrusher prod. In the coming month there will be a re-issue of the ODIUM first demo which was put out on CD-r and was limited to 20copies, i'll be releasing that on tape limited to 100copies. This is great underproduced raw buzzy minimalistic black metal which reminds of ildjarn.

Botulistum LP. this vinyl will contain all the tracks they ever recorded during their 3 or 4 year history plus some live tracks and unreleased tracks. limited to 200copies in perhaps a gatefold sleave (unsure) it will be hand numbered and come with a poster. a number will also be numbered or smeared in blood, whether i am willing to take the blade to myself for getting enough blood to do this will be discovered in the future.. RAW underproduced black metal from Holland

4 or so Vinterriket posters will see the day of light in September.

Vehemence6.2 power Noise/industrial music from USA. this has been delayed for a few month already, it was ment to be out in June, a tape version of the CD-r which the band has ben spreading, but with about 60-70mins of extra music.

There will also be a great mayhem tribute to the old and only true mayhem with only tracks being covered from the demos, deathcrush and de mysteriis recordings. This has been delayed by almost a year and fuck knows when it
will be out.

And the last item which is at the moment confirmed for the future will be a Botulistum/Lugubrum split 7" with both bands recording new material for it.

Info on all this can be found at christcrusher.com though


- Will you share your 3 all time fave albums with us?
Very difficult question...

Shellyz Raven - Desolation, this cd makes me feel like there is more to discover in the world of depression, perhaps not black metal but fuck it.

Gehenna - 2nd spell. This is what opened up my eyes to black metal, i had discovered the music already for a few months, but this cd just made it all much more impressive.

Don't know what I would pick as a third, perhaps vlad tepes/belketre split, or long voyage back's first album, or something by nine inch nails, not black metal, but a great band none the less, it was my favourite band before
i discovered black metal and will probably always be.


- Thanks a lot for answering my questions! If you have something to add, please feel free to do it now!
No Problem, thanks for your support and i hope you enjoy the promotional
material i sent your way~

christcrusher.com

Sunday, 11 October 2009

???? - Anaxagazaroth (23rd November 2003)


Anaxagazaroth is one of the uk's unknown entities. Here we try to unveil some of the mistery.

1.) A brief synopsis of the projects history/contributing members/release history
Anaxagazaroth has released two demos, each limited to five copies, and contributed to a split record with Ichneutic, S.I.S.T. and Eternity of Darkness. A compilation of all this material, as well as eight new improvised pieces was to be released on Albion Records, but this idea has since been abandoned.


2.) Give some general thoughts on the inspiration behind the music.
The inspiration for Anaxagazaroth comes from the woods and downs of Sussex; the fens of Norfolk; the moors of Cumbria; England's many forgotten stone circles; rain; dead trees; the spaces between the stars; poetry; the emotions that surround death


3.) Some specifics on your sound.
Anaxagazaroth is a constantly evolving entity. The first demo was minimalist, improvised black metal in the vein of "Transilvanian Hunger". The second was more primitive, slower, and pitched in lower registers. The material that appeared on the split tape was also black metal, this time a mixture of fast and slow passages, tonality and discord, melody and unmelody. Material currently being composed uses less of a black metal framework; instead taking inspiration from avant-garde folk/noise/ritual music... wait and see.


4.) what does your music portray or represent?
The sublime terror that engulfs the soul just before death, when all hope of assuaging its inevitability is crushed. This is the meaning of Anaxagazaroth.


5.) What is your opinion on the state of the underground situation?
There are some talented acts; there are lots of acts with no talent or ideas. The underground is in some respects degenerate and stagnated: however, this merely necessitates deeper and more thorough searches for noteworthy artists.


6.) What is coming up for this project over the next 1-2 years?
Currently, a full length work is being composed. This will be proffered to a variety of record labels. There may be more to follow, there may not.


7.) Thanks or taking the time to fill this out, any last words?
Thanks for the interest. Look out for new Anaxagazaroth material... those who seek, shall find.


8.) Also, please provide website information, if applicable....
No.

Osgiliath (15th November 2003)


Osgiliath is an unknown entity in the growing american underground scene, this interview is conducted witht he sole member on the 15th of november 2003.


1.) A brief synopsis of the projects history/contributing members/release history
Osgiliath, is a project that has been around since early 2000. But back then it was just dark ambient noise project, one small release, didn't sell many at all. Just 3 song cd. Ever since I first started I wanted to do a black metal project, but mastering each instrument is the hard part. But until recent, I (Count Osgiliath), have decided to use a session drummer, and a few appearances by a few musicians on recordings. The Winter of 2003 will bring a new strength to see if Osgiliath will last. Planning a cd demo release on Christcrusher Prods, still in the works, but I know it shall be pressed.


2.) Give some general thoughts on the inspiration behind the music.
Osgiliath inspiration is more fantasy based lyrics, with personal and cosmic reflect. Dark ambient sound, with drawn out dark lyrics. Few songs are about the history of Osgiliath, which is taken right from a Tolkein ruined city, that's west of Mordor. I'm not sure what the lyrics of the future shall bring, its becoming winter, a new year has begun, and I feel that this years Winter Solstice shall bring many influences to all.


3.) Some specifics on your sound.
Osgiliath sound is really going for a particular sound, but influences from Behemoth (sventevit album), Emperor (s/t), Satyricon (the shadowthrone), Graveland (thousand swords), Nargaroth (Herbstleyd), Darkthrone (under a funeral moon).


4.) what does your music portray or represent?
With Most everything that Osgiliath represents, is a fictional setting and journey. Can turn out to be a mystic look into the grim reality of Strength and Darkness.


5.) What is your opinion on the state of the underground situation?
Where I come from, the black metal scence is very very slim to none. Being that im from the States, the underground thing isn't Black Metal, but Punk/hardcore. Which isn't bad, the crowd is into anything underground, so black metal bands can play on the same bill as a hardcore band and the crowd likes it just as much. But that's not true to where-ever you go, which is true with any scence, there is always places where elitism comes into play and ruins everything.


6.) What is coming up for this project over the next 1-2 years?
Hopefully the release on Christcrusher. A few Cd comps, as many has I can send to, atleast. Winter is providing good time for recording, and writing, hopefully more shall be released. Regardless a label backing the band, there still will be releases. Osgiliath is just a solo project, but with a few members as session musicians, some are from an old blackmetal/grind I was in, and some are new.


7.) Thanks or taking the time to fill this out, any last words?
ruined it shall lay, forever and a day
til the time it is dust, and forgotten
rise, rise again the king he shall
reclaim his throne, and rule again

.................they become, they are, the Kings of Osgiliath


8.) Also, please provide website information, if applicable....
Parchments:

Shane Davis
1246 Burnt Hill Rd
Olean, NY 14760
USA

Electronic: thetyrant@adelphia.net

No homepage as of yet, in the making

Winterkaelte (22nd November 2003)


New project hailing from the uk. Interview conducted with the sole member.

1.) A brief synopsis of the projects history/contributing members/release history
In the year 2000, the project was formed under various names.
In the year 2003, the project received it’s true name.
I had one extra member on vocals who was a faggot and tried to dominate the project.
As far as releases go, I have one demotape "The Ruins Of Ages Past" that has changed it’s tracklist/name a lot and this is the final name/tracklisting.


2.) Give some general thoughts on the inspiration behind the music.
I guess I am inspired by all the True, grim Black Metal that I hear, as well as Black/Thrash and Viking Metal.


3.) Some specifics on your sound.
Well my sound is your basic Black Metal Vocals, Guitars and Drum programming.


4.) what does your music portray or represent?
My music portrays my hatred for trends, grim, raw black metal, our pagan past, winter and battle.


5.) What is your opinion on the state of the underground situation?
I think the underground is doing very well, some great bands have been emerging such as Grimfaug, Forefather etc..


6.) What is coming up for this project over the next 1-2 years?
I have planned another demo which is the first plus extra tracks with much better sound quality and a promo.


7.) Thanks or taking the time to fill this out, any last words?
Heil Parasite, thanks for the interview, a big heil to those who support true, Grim Black metal and crush the veins of Christ!


8.) Also, please provide website information, if applicable....
www.winterkaelte.cjb.net
winterkaeltess@yahoo.com
winterkaelte_@hotmail.com
winterkaelte88@aol.com

Domhnach - Forest of Castles (24th November 2003)


Forest of Castles is a relatively new project from the northern lands of the uk. Scotland hasnt had many black metal bands but here's an interview with one of the view who have risen.


1.) A brief synopsis of the projects history/contributing members/release history
Forest of Castles started in winter 2002/2003 because I was pissed off with different bands fucking about, being unreliable and ultimately just being stupid. So I decided to start a solo project giving me complete freedom to do whatever the hell I want with the music. I did have a session drummer for a short period in September 2003 but he was very unreliable.

All the songs for the first demo “Casgradh” have been written and it should be recorded after X-mas.


2.) Give some general thoughts on the inspiration behind the music.
I have been inspired by many different genres of music. Mainly black metal of course. Immortal, Burzum, Slayer, Mike Oldfield & Old Dimmu Borgir have had a massive influence musically.


3.) Some specifics on your sound.
Forest of Castles has been described as “the next Burzum” which I hate because I’m not trying to copy anyone. I suppose it’s raw black metal with occasional melodic parts and keyboards at times.


4.) what does your music portray or represent?
I did not write most of the lyrics so that’s a bit of a difficult question. It’s like trying to get the person who wrote the lyrics to explain my guitar riffs.


5.) What is your opinion on the state of the underground situation?
Yeah, There are a lot of good bands appearing everywhere and I think that the Internet plays a big part in helping unknown or unsigned bands. It has helped me significantly since I first started "forest" and I have met a lot of underground/unsigned bands through it.


6.) What is coming up for this project over the next 1-2 years?
Well I’m already working on the new demo "Pargijakun Fushjalut" which will hopefully be recorded shortly after "casgradh". I also plan to arrange a live band so I may start gigging. That’s all I really have planned at the moment.


7.) Ask yourself one question you'd like to be asked and answer it.
Don’t have a fuckin’ clue.


8.) Thanks or taking the time to fill this out, any last words?
Cheers everyone who has helped out with forest of Castles in the past year.
Thanks go out to Herr Chemosh for all his help involving "forest"
Hail the Scottish steel!!


7.) Do You Have Any Contact Info? Such As A Homepage, Snail Mail or Email Addies.
Website: http://www.forestofcastles.tk
E-mail: domhnach@forestofcastles.tk